So now the final stage is set: Spain vs. The Netherlands in what should be a glorious World Cup final, a fitting culmination to the 31-day tournament.
If only . . .
If only the players and the hundreds of millions of fans around the globe who will tune in to watch Sunday’s finale could count on the officials to call a competent game, a 50-50 proposition in a tournament marked by missed goals and handballs, phantom fouls and routinely botched offsides calls.
Of course, the officials are human and fallible. The real fault lies with FIFA, the sport’s governing body, and its president, Sepp Blatter, whose prehistoric mentality toward instant replay has helped create a digital-age mess. Fans worldwide watch the games with the benefit of modern technology – live streaming, slo-mo replays, a terrific on-screen offsides guide – and yet FIFA has refused to make such tools available to the referees, thus creating a huge gap between its technology-savvy fans and the game. The tournament’s -- and the sport’s -- credibility is suffering the consequences.
Technology is a wonderful thing. Video replay has been around since 1963 (yes, 1963). Instant replay has been widely used in the NFL for the past 25 years. And the NBA, MLB and the NHL have all integrated replay in one form or another. Even a fairly simple technological advance – a microchip in the ball that could indicate when it crosses the goal line, an advance that would have signaled Frank Lampard’s infamous goal should have counted in the England-Germany game – has been spurned in favor of old-fashioned human error.
FIFA and Blatter have no excuse not to leverage all that replay has to offer for the World Cup. This is not some mom-and-pop operation. The tournament is a billion-dollar venture, and by failing to use replay to ensure the fairness and accuracy of officiating, FIFA undermines the very sport it’s charged to promote and grow.
July 8, 2010
July 1, 2010
3-D technology is great, but 'damn these glasses son'
Whenever I read something about the upcoming onslaught of 3-D entertainment, a scene from the movie “The Jerk,” a 1979 comedy starring Steve Martin, keeps coming to mind:
(Stan Fox’s eyeglasses keep slipping off his nose)
Stan Fox: Damn these glasses son.
Navin R. Johnson: Yes, sir (then he turns to the glasses). I damn thee.
That loosely sets the stage for the arc of the life of Navin R. Johnson (Steve Martin), who fixes the glasses with a simple invention, gets rich, then loses it all in the end because the glasses make their wearers cross-eyed (and if I spoiled the movie for you, well, you've had 31 years to watch it).
But every time I read a story about 3-D TVs and 3-D technology and 3-D movies and 3-D channels as the savior of the TV and movie industry, I can’t help but think of that movie, and what happened to all the people who wore those glasses.
Having to wear 3-D glasses already stands as one impediment to the growth of the 3-D industry. And the side effects of wearing them may stand as another.
(Stan Fox’s eyeglasses keep slipping off his nose)
Stan Fox: Damn these glasses son.
Navin R. Johnson: Yes, sir (then he turns to the glasses). I damn thee.
That loosely sets the stage for the arc of the life of Navin R. Johnson (Steve Martin), who fixes the glasses with a simple invention, gets rich, then loses it all in the end because the glasses make their wearers cross-eyed (and if I spoiled the movie for you, well, you've had 31 years to watch it).
But every time I read a story about 3-D TVs and 3-D technology and 3-D movies and 3-D channels as the savior of the TV and movie industry, I can’t help but think of that movie, and what happened to all the people who wore those glasses.
Having to wear 3-D glasses already stands as one impediment to the growth of the 3-D industry. And the side effects of wearing them may stand as another.
Labels:
3-D glasses,
3-D technology,
3-D TV,
Digital Strategy
June 29, 2010
Longtime passion leads to Olympic-sized opportunity
I love almost everything about the Olympics. I like the idea -- that every four years the world comes together as one to compete -- and the ideal behind it.
I like the five-ring circus, the spectacle of the unusual -- be it badminton, curling, or water polo -- as well as the bright lights that bathe swimming, speed skating and track & field.
There’s something enchanting, and entrancing, about the theater of the Olympic stage, that once-in-a-lifetime chance for so many athletes who train four years for an event for that might last all of 10 seconds.
I got my first up-close view of the Games when I was executive sports editor of the newspaper in Colorado Springs, home of the U.S. Olympic Committee and training center. I was fortunate enough to lead our paper’s coverage of the 2000 Summer Games in Sydney, which provided a lifetime of memories and friendships.
It was in Colorado where I met the group of people who are behind 776 Original Marketing, led by Jim Scherr, an Olympian and former chief executive of the USOC, and a handful of his USOC brain trust. 776 Original Marketing is a full-service sports marketing company, but many of its clients -- past, present and future -- have ties to the Olympic community.
Which is why I’m so excited to work with 776 to provide digital strategy for their clients (read the press release about our affiliation on my new website, www.geoffgrantconsulting.com).
I like the five-ring circus, the spectacle of the unusual -- be it badminton, curling, or water polo -- as well as the bright lights that bathe swimming, speed skating and track & field.
There’s something enchanting, and entrancing, about the theater of the Olympic stage, that once-in-a-lifetime chance for so many athletes who train four years for an event for that might last all of 10 seconds.
I got my first up-close view of the Games when I was executive sports editor of the newspaper in Colorado Springs, home of the U.S. Olympic Committee and training center. I was fortunate enough to lead our paper’s coverage of the 2000 Summer Games in Sydney, which provided a lifetime of memories and friendships.
It was in Colorado where I met the group of people who are behind 776 Original Marketing, led by Jim Scherr, an Olympian and former chief executive of the USOC, and a handful of his USOC brain trust. 776 Original Marketing is a full-service sports marketing company, but many of its clients -- past, present and future -- have ties to the Olympic community.
Which is why I’m so excited to work with 776 to provide digital strategy for their clients (read the press release about our affiliation on my new website, www.geoffgrantconsulting.com).
June 24, 2010
Social media campaigns help hand Nike the World Cup crown
The World Cup won’t end for another 17 days. But we don’t need to wait that long to know the winner of the brand wars. It’s Nike, hands down.
Rival adidas is one of the official sponsors of the World Cup, but with Nike dominating TV, online and print media, adidas may as well be brand X.
When award-winning Wieden + Kennedy partners with Oscar-nominated director Alejandro G. Inarritu (21 Grams, Amores Perros and Babel leap to mind), it’s no surprise that the campaign they create would be memorable.
And Nike’s “Write The Future” commercial delivers on that promise. It’s a stirring three-minute paean to the sport and its stars, including Didier Drogba, Fabio Cannavaro, Franck Ribery, Wayne Rooney and Cristiano Ronaldo (not to mention cameos by Roger Federer, Kobe Bryant and Homer Simpson).
But what truly elevates Nike’s brand is the use of social media surrounding the campaign. It has done a great job of engaging users in creative ways by incorporating Twitter, Facebook and YouTube, among other platforms.
Rival adidas is one of the official sponsors of the World Cup, but with Nike dominating TV, online and print media, adidas may as well be brand X.
When award-winning Wieden + Kennedy partners with Oscar-nominated director Alejandro G. Inarritu (21 Grams, Amores Perros and Babel leap to mind), it’s no surprise that the campaign they create would be memorable.
And Nike’s “Write The Future” commercial delivers on that promise. It’s a stirring three-minute paean to the sport and its stars, including Didier Drogba, Fabio Cannavaro, Franck Ribery, Wayne Rooney and Cristiano Ronaldo (not to mention cameos by Roger Federer, Kobe Bryant and Homer Simpson).
But what truly elevates Nike’s brand is the use of social media surrounding the campaign. It has done a great job of engaging users in creative ways by incorporating Twitter, Facebook and YouTube, among other platforms.
Labels:
Content Strategy,
Digital Strategy,
Engagement,
Facebook,
Nike,
Social Media,
Twitter,
World Cup,
YouTube
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